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谁的尴尬威尼斯电影节的秉性几乎是最难以捉摸的,作为欧洲三大节最后一站,它每次都现身下半年的九月夏末,却依然无法风平浪静;不但受到独立、艺术、商业、国际和本土这些关键词的反复拉扯,还在电影节坐标体系中,扮演着最错综复杂的角色。在A类电影节中,冬末春初的柏林电影节以政治关照和前卫性著称,并且每年它都在圣丹斯电影节之后,脚跟稳固;五月的戛纳电影节自然是当之无隗的王者,其号召力和影响力与美国影艺学院平分秋色;盛夏时分的捷克卡罗维发利电影节似乎已成为前两者的
Who embarrassed Venice Film Festival is almost the most elusive, as the last stop of the three major European festivals, it appears in the second half of September each summer, but still can not calm; not only by the independent arts, commercial , The international and local repeated pulling these key words, but also in the film festival coordinate system, plays the most intricate role. In category A, the Berlin Film Festival in late winter and early spring is well-known for political attention and avant-garde, and every year it holds its heels behind the Sundance Film Festival; the Cannes Film Festival in May is, of course, The king, its appeal and influence and the American Academy of Arts equal shares; Summer Karlovy Vary Film Festival seems to have become the first two