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随着社会的发展,经济不断地繁荣,人们的文化艺术活动也相对丰富多样,声乐艺术也渗透到老百姓的文化生活中。更多的声乐作品受到人民大众的青睐,因此中国的声乐艺术迎来了发展的好时期。我国的声乐艺术在早期的人类社会中产生,其精神诉求符合当下的时代,反应了当下的人文理想和社会风貌,具有鲜明的民族文化特色。不同民族地域文化形成了不同风格的声乐作品。随着人们对地域风格性声乐作品的审美要求不断提高,因此歌者应加强歌唱方法的科学训练。笔者在多年的民族声乐学习和近几年的声乐教学过程中,发现歌唱性思维在声乐课堂上起着至关重要的作用。确立正确的歌唱性思维是形成科学演唱的前提,是演绎好不同民族地域性风格声乐作品的基础。本文对声乐演唱中“歌唱性思维概述”进行一个简单的阐述,根据声乐课堂教学中出现的一些实际问题,提出对学生“歌唱性思维”的培养方法与运用思考。
With the development of society, the economy continues to prosper, people’s cultural and art activities are also relatively rich and diverse, and vocal arts infiltrate into the cultural life of ordinary people. More vocal works are favored by the general public, so China’s vocal art ushered in a good period of development. The vocal music art in our country was born in the early human society. Its spiritual appeal accords with the current era, reflects the contemporary humanistic ideal and social outlook, and has distinctive national culture features. Different ethnic and regional culture formed a different style of vocal works. As people’s aesthetic requirements for regional style vocal works continue to improve, singers should strengthen the scientific training of singing methods. During many years of studying national vocal music and in recent years, the author has found that singing thought plays a crucial role in the vocal music class. Establishing correct singing thinking is the precondition of forming a scientific concert and the basis for deducing the vocal works of different ethnic and regional styles. This article gives a simple exposition of “Singing Thinking Outline” in vocal music singing. According to some practical problems in vocal music class teaching, this article puts forward some thoughts on how to cultivate students’ “Singing Thinking” and its application.