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资本主义的艺术品“市场”总是以一种“抽象”的方式运行。被出售的不仅是这个东西本身。购买它还意味着加入到物品拥有者的想象性集体中去。这个物品在本项研究中将被称为艺术品(artefact),它同时也是购买者之间纽带的符号,因而建构了一个包括所有消费者的共同体。资本主义美学超越了政治、宗教和伦理的分歧。一个索马里军阀想从纽约购买服装,一个塔利班殉教者通过美国生产的最新款手机来交流信息:此物在手,美国以及资本主义的敌人就下意识地转变为
Capitalist art “markets ” always operate in an “abstract” way. Not only is this thing sold. Buying it also means joining the imaginative group of property owners. This item, to be referred to as the artefact in this study, is also the symbol of the bond between buyers and therefore constructs a community that includes all consumers. Capitalist aesthetics transcends political, religious and ethical disagreements. A Somali warlord wanted to buy clothing from New York. A Taliban martyr exchanged information on the latest cell phones made in the United States: the thing in hand, the United States, and capitalist enemies subconsciously transformed into