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在艺术多元的现代社会中,即便是最传统的中国画表现手法也有自己独立的审美价值,也是多元中的一元,你能说它“必须创新”吗?我们可以让它作为多元艺术中的一元而存在,占有它自己应有的位置,是否是主流艺术并不重要。不是主流艺术并不等于它必须创新,新与不新是一种轮回。随着时代的前进,百年前的艺术对当代人来说也是一种新。所以我们经常说的必须创新,也只限于百年之内的人的说法,因为在他们的有生之年的有限视野中,觉得现在的东西是一种旧,于是振臂高呼,必须创新。但创新不是否定原有的东西,而是开拓一种新的东西,探索新的技法及画面表现形式,是给多元的艺术增加一元,而不是代替其中的一元。
In the multi-dimensional modern society, even the most traditional Chinese painting technique has its own independent aesthetic value and is also a unit of pluralism. Could you say that it must be “innovative?” We can make it as a unitary element of multivariate art Existence, possession of its own place, whether the mainstream art is not important. Not mainstream art does not mean that it must be innovative, new and not new is a reincarnation. As the times progressed, the art of a hundred years ago was also new to the present generation. Therefore, we often say that we must innovate and confine ourselves to those who are within a century. For in the limited horizon of their lifetime, they think that what is now is an old thing, so they must shine and must innovate. However, innovation does not negate the original thing, but rather opens up something new and explores new techniques and pictorial representations. It adds one dollar to pluralistic art instead of one of them.