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鲁迅与托妮·莫里森在各自的创作中不约而同地采用了“看与被看”结构模式,这一现象透露出“看与被看”结构的巨大研究价值。通过比较分析,一方面,我们可以看到两个民族悲伤的历史遗留在精神文化上的累累伤痕,同时也可以窥见带着伤痕过活的两个民族人民内心深处以集体无意识形式存在的阴暗,另一方面,可以看到不同文化语境下的“看与被看”结构的个性特征。
Both Lu Xun and Toni Morrison invariably adopted the structural model of “Seeing and Being Watched” in their creations, which reveals the great research value of the “Look and See” structure. Through comparative analysis, on the one hand, we can see the traces of the spiritual and cultural scars left by the sad history of the two ethnic groups as well as the dark, collective unconscious forms in the hearts of the two ethnic peoples who have wounded their wounds. On the one hand, we can see the personality traits of “looking and being seen” in different cultural contexts.