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话剧《抓壮丁》在演出样式上是一出独出心裁的好戏。它的舞台美术设计(设计:陈永倞、陆阳春,顾问:张正宇。该剧设计图请参看本期封三插页)也同样创造了独具异彩的风格,突破了一般的窠臼,不落套。设计者采用的构图、色调、气氛,既有民族风格,又有浓厚的喜剧色彩。这个戏一共只有两个景:一是地主李老栓的家庭。舞台中间的后面安放了“天地君亲师”的牌位和一副对联,条案香炉在神位之下。一个冂形黑框框的上边挂着一块“太白家风”的匾
Drama “Zhuang Zhuang Ding” in the style of performance is a unique play. Its stage art design (design: Chen Yongtao, Lu Yangchun, Consultant: Zhang Zhengyu. The play design plans, see this issue closure three inserts) also created a unique style, breaking the general mortal, not falling. Designers use the composition, color, atmosphere, both national style, but also a strong comedy color. This drama has only two scenes: First, the landlord Li Lao tied the family. Behind the middle of the stage placed the “world monarch” division and a couplet, the incense burner under the throne. A 冂 shaped black box hung above the plaque “too white family wind.”