钢琴与练耳

• 作 者: 王晓蔚
• 机 构: 辽宁师范大学,
• 出 处: 通俗歌曲
• 发表日期: 2014年04期
• 关键词: 练耳 演奏方面 学习过程 教学方法 学习态度 练琴 听辨 演奏过程 练习过程 练习方法

随着钢琴的普及,钢琴学习者渐渐多了起来,同时也造成了年龄段和水平上的良莠不齐。因此,应使用因材施教的教学方法,对于学生的优点发扬光大,对于学生欠缺的部分进行弥补和调整。对于以钢琴作为专业主科学习的学生,不应只是浅显的弹奏曲目,而是无论在手的技巧和乐感方面都应有不错的造诣,对于钢琴专业学习者来说,手指的技巧和乐感是放在首位,其次较为重要的就是对于视唱练耳的训练。在乐器精准流畅的演奏方面,灵敏的听觉是至关

As the popularity of the piano, piano learners gradually increased, but also caused the age group and the level of good and bad. Therefore, we should use teaching methods according to individual circumstances, carry forward the advantages of students, make up for and adjust to the lack of students. Students who learn piano as a major subject should not just play musical pieces, but should have good accomplishments both in hand skills and musical sensation. For piano major learners, finger skills and Music is the top priority, followed by more important is the training of solfeggio. Sensitive hearing is the key to the precise and smooth playing of instruments