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草书,从实用中走出,当其具有了独立的艺术性后,就深受传统文化三大支柱“儒、释、道”的影响。她从禅宗“心为物宰而不为物役”的禅理中领悟出超越外物、自由奔放、不拘固常的创作旨趣,从老庄“唯道集虚”、“抱朴守拙”的道家思想里获得了幽玄清逸、古朴纯真的自然天趣,更从儒家“中和之美”里滋长了将艺术表现掌控于宽猛相济、刚柔折中、婉而成章的审美情趣。
Cursive, come out from the practical, when it has an independent artistic, deeply affected by the three pillars of traditional culture “Confucianism, Buddhism and Taoism.” She has comprehended the creative purport of surpassing foreign objects, free-spirited and unrestrained comprehension in Zen Buddhism, which is “the heart is the object but not the material.” Park Shouzhuo “Taoist won the quiet seclusion, simple and innocent nature of nature, but also from Confucianism ” and the beauty of the United States "in the growth of the art performance in the control of the wide and fierce, economic and social, and tactfully Aesthetic taste.