论文部分内容阅读
我一直没有将李一看成是单一的职业书法家,而是一位具有艺术情怀的学人。当然,他不是一个只空谈理论而不履实践的空头理论家,而是一位文墨兼修的具有通会意识的文化行者。艺术家成为学者,学者成为艺术家,在过去,这种提法恐怕是要被笑话的,但在今日,却实在是一个稀罕事。以我观之,今日专事艺术史、美学研究之学人,恐怕大多是不擅艺的。毕竟,在一个专门化的时代,在学术
I have never seen Lee as a single professional calligrapher, but an academic with artistic passion. Of course, he is not a short-sighted theoretician who only talked about theory but did not practice it. Instead, he is a literary and cultural monk with conversational awareness. An artist becomes a scholar and an scholar becomes an artist. In the past, such a formulation might be a joke, but today it is a rare event. In my opinion, today’s art history, aesthetic studies of scholars, I am afraid most of them are not good at art. After all, in a specialized era, academically