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“红色经典”文本语言本身就是一种文化符号,是特定社会语境下的特殊内涵或者特殊意义的标示。作为文化符号,“红色经典”语言具有很强的抽象性,内涵丰富,表现为对语言虚与实的选择,反映出独特的美学追求。传统审美虚与实的作用在于拉大言语语表与语里、能指和所指、情和理的距离。正如理论家福柯所说:“一个语词只有进入特定话语的范畴才能获得意义,也才有被人说出的权利。否则,便要被贬入沉寂。特定的话语背后,总体现着某一时期的群体共识,一定的认知意愿。”红色经典文本语言多具备象征性,象征和意象通过拟态
“Red Classic ” text language itself is a kind of cultural symbol, is a special social context of the special meaning or special label. As a cultural symbol, “Red Classic ” language has a strong abstraction, rich connotation, manifested as a virtual choice of language and reality, reflecting a unique aesthetic pursuit. The role of traditional aesthetic imaginary and real lies in pulling the distance between the diction phrase and the language, the signifier and the sign, the emotion and reason. Just as theorist Foucault said: “A word can not be meaningful unless it comes into the domain of a specific discourse, or it can be denounced to silence.” Behind a particular discourse, A period of group consensus, a certain degree of cognitive desire. "Red classic text language with more symbolic, symbolic and image through mimicry