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近年来,票友这一群体已经引起学人的关注,但大多数研究成果多停留在对票友活动的描述。票友(尤其是名票)作为戏曲界的一个特殊群体,虽非职业演员,但他们对京剧音韵的推敲及演唱艺术的考究达到了专业水准,他们对表演的评析更使得京剧艺术学理化,他们还直接推动了流派艺术的传承与传播,正是由于京剧票友的存在,对京剧艺术的保存、深化仍至学理化均有正面积极的作用。作为票友的旗帜性人物——张伯驹先生最后一本关于京剧的著作《红毹
In recent years, this group of farers has aroused the concern of scholars, but most of the research results stay in the description of farewell activities. As a special group of the opera circles, ticket-holders (especially the famous tickets), although not professional actors, have achieved professional standards in examining the phonology of Peking opera and performing arts. Their appraisal of performance has also made Peking opera art more physical and chemical. But also directly promoted the inheritance and dissemination of genre art. It is precisely because of the existence of Beijing opera ticket collectors that they all have a positive and positive effect on the preservation and deepening of the art of Beijing Opera. As a fancier’s flagship figure - Mr. Zhang Peiju last book on Peking opera "