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“赶场”对于艺术家翁维来说是一个相对平和的展示,专注于她在方形和剪贴纸片上的墨水画,贴在画廊线条分明的墙上。这些新作以及它们在北京艺门画廊的展示方式,与她早期露面时那种强烈的自发性相比,平复了不少,而这种自发性——一方面是因为她当时创作环境的不稳定——现在被她以更加温和的方式来处理。这个展览成了对当时那些状态的一种评论,因为新作是对旧展览的近距离解读,是她从那些场所中寻求的一种对事物的理性化,这种理性化她认为在当时是缺乏的。来自艺术家对那些旧状况的记忆,这些新的画作看似将她当时工作的物理和心理环境进行了视觉化。作品本身用浓浓的黑墨涂在厚纸上,轮廓清晰,但偶尔也有笔触痕迹的边缘。整体视觉冲击力强大,尽
“Hurry ” is a relatively peaceful show for artist Weng Weili, focusing on her ink painting on square and scrapbooking paper and sticking it on the clear-cut wall of the gallery. These new works, as well as their way of presenting at the Beijing Art Gate Gallery, have been smoothed out in comparison with the strong spontaneity of her earlier appearances, partly because of the instability in her creative environment - Now she is treated in a more modest manner. The exhibition became a comment on those states at the time because the new work was a close reading of the old exhibitions and a rationalization of things she sought from those places, which she considered lacking at the time of. From the artist’s memory of those old conditions, these new paintings appear to visualize the physical and psychological environment in which she was working. The work itself is coated with thick black ink on thick paper, with a clear outline, but occasionally also the edges of the brush strokes. The overall visual impact, do