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传统意义上的西方绘画全方位空间是指在二维的平面中追寻三维的效果,中国传统的“天人合一”讲究的是“神”的转化,运用在绘画中即为画面精神性的传达,以二维空间通过“精神”的转化以体现“全方位空间”。文章用这一观点试析二维与三维透视的全方位空间及其表现方法之异同关系。——题记
In the traditional sense, all-round space for western painting refers to the pursuit of three-dimensional effect in a two-dimensional plane. The traditional Chinese “harmony between man and nature” focuses on the transformation of “god”, which is used in painting The transmission of the spirituality of the picture reflects the “omnidirectional space” through the transformation of “spirit” in two dimensions. This article attempts to analyze the similarities and differences between the two dimensions and three dimensions of omni - directional space and its performance method. --Inscription