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去年法国「秋季沙龙」展览的法国画家传哲隆的一幅画曾经引起了许多艺术杂志的猛烈攻击.这幅画描写的是鱼市场上的巴黎女子.一个卖鱼女郎举起了一条鱼,向女顾客们称赞自己的货色.前面站着几个遲疑不央的巴黎女子.她们想买鱼,但是嫌它太贵.背景上画着房屋的暗影.看样子显然是巴黎.「多低贱的现实主义!多平凡!」——以前指摘现代进步艺术太大胆的那些批评家这样号叫着.在诗歌方面,我们也可以遇到这种引起批评家们愤慨的现象;阿拉贡就是受到这种遭遇的诗人之一,但是自从他开始写作任何人都了解的诗歌之后,他的才能仍旧一点也没有贬低.甚至在法国抵抗运动时代,阿拉贡的诗非但流行于斗争的前卫队伍中,而且成为整个进步诗歌界的旗帜资产阶级批评家反对傅哲隆不过是因为他们知道:他是共产党员.他们常常说:「傅哲隆是奉命这样描写现实的,所以他就这样做了.我们不应该放弃创造的自由.」现在我们就来谈谈恶名昭障的艺术「自由」在法国的概况.
A picture of a French painter Chiron Tetsuhiro, who was shown at the “Autumn Salon” in France last year, has drawn a violent attack on many art magazines depicting Parisian women in the fish market. A fish-selling girl lifts a fish to Female customers praised their goods, standing in front of several hesitating Parisian women who wanted to buy fish, but too expensive for it, with the shadow of a house painted on the background, apparently Paris. Doctrine, trivial! “- The critics who used to point to the boldness of modern progressive art are so called. In poetry, we can also meet with such indignation among critics; this is the case with Aragorn One of the poets, but since he began writing poetry known to anyone, his talent has remained underestimated even in the days of the French Resistance, not only has Aragonese’s poems prevailed in the avant-garde ranks of the struggles but has also become an integral part of progress The banner of poetry The bourgeois critics opposed Fu Zhelong simply because they knew that he was a communist and they often said: ”Fu Zhelong was instructed to portray this reality , So he did it, and we should not give up the freedom of creation. “Now let us turn to the general overview of the infamous” free "art in France.