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戏曲是中华民族传统的戏剧形态,在漫长的历史岁月中,一直占据着舞台艺术的主导地位,是广大观众喜闻乐见的娱乐方式。在当今娱乐方式多元化的时代,戏曲也在走向衰落,面临着严峻的传播危机,传播问题解决得好坏直接关系到戏曲艺术的生存与发展。值得注意的是,我们今天的观众已不是20世纪的观众,他们对戏曲的欣赏,除需要满足多元化、多样性欣赏需求之外,还要欣赏节奏。因此在现今,电视戏曲栏目面对新的受众群体,
Opera is the traditional Chinese theater form. In the long historical years, opera has occupied the leading position of the stage art and is the amusement that the audiences love to hear and hear. In the era of diversified entertainment, the opera is also declining and facing a serious crisis of dissemination. The problem of dissemination has a direct bearing on the existence and development of the art of opera. It is noteworthy that our audience today is no longer a 20th-century audience. Their appreciation of the drama, apart from meeting the diverse and diverse needs of appreciation, also needs to appreciate the rhythm. Therefore, in today’s television drama section to face a new audience,