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中国的电影历程,发源于19世纪末,至今已过百年。在这百年的荧幕传奇之中,歌舞电影作为一个类型片却较少被中国电影所涉及,成为经典的更是少有,这其中既有国人的观影习惯问题,也有“戏”与“影”的矛盾与冲突,更为重要的是如何将音乐元素与电影拍摄巧妙融合,这有待华语电影人继续探索。本文将从歌舞电影《如果·爱》中人物独白音乐的分析出发,尝试解读音乐元素在电影语言中发挥的重要作用
China’s film history, originated in the late 19th century, has passed a hundred years. Among these 100-year-old screen legends, song and dance movies, as a genre, are seldom touched by Chinese films and become classic ones. There are not only the habit of watching movies but also the opera “ Contradictions and conflicts with ”Shadow “, and more importantly, how to make the music elements and film shooting ingenious fusion, which needs Chinese filmmakers to continue exploring. Based on the analysis of the soliloquy’s soliloquy in ”If · Ai", this article attempts to interpret the important role played by the music elements in the film language