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很长时间以来,我想起张艺谋就会顺便想到解放鞋,这个吊诡的联系来源于记忆中模糊的某篇回忆文字,说他穿着解放鞋第一次敲开莫言的房门。如果你往下再读四页,可能下次你想起张艺谋,会直接略过《千里走单骑》和《十面埋伏》,而一对对颜色对比鲜艳的老式袜子、很厚的毛边纸情书或者海鸥牌照相机反而条件反射般地跳出来……那都是说不准的。脑部的条件反射不需要什么理由,单纯得就像每个人的童年、青年一样,我们那时都在玩耍。幸福的时间大多类似,意大利导演朱塞佩托纳多雷有他自己的天堂电影院,侯孝贤一定常常想起他的童年往事,我们的张艺谋也有他做工人时候的幸福时光。
For a long time, I think of Zhang Yimou will think of liberation shoes by the way, this paradoxical link comes from a memory of the memory of a certain memory, saying he was wearing liberation shoes first knock Mo Mo’s door. If you read down four pages again, next time you think of Zhang Yimou, you will skip “Riding Alone for Thousands of Miles” and “Ambush on Every Side” while a pair of old-fashioned socks with contrasting colors, a thick burgundy love letter, or Seagull license camera instead of conditioned reflex to jump out ... ... that is not allowed. Reflexes in the brain do not need any reason, simply as everyone’s childhood, youth, we were playing at that time. Happy times are mostly similar, Italian director Giuseppe Tonatore has his own paradise cinema, Hou Hsiao Hsien must have always remembered his childhood, and our Zhang Yimou also had his happy time working as a worker.