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本文以中国哲学传统和艺术精神为背景,探讨作为一种认识论和美学观的神秘主义在当代文学中的流变。文章认为,神秘主义作为一种非理性和非现实主义文学思潮,与“十七年”时期“国家的文学”、“人民的文学”以及“建设的文学”的时代精神相违逆,而一直被视为一种异己遭受排挤和打击。80年代后,伴随“寻根文学”的兴起,神秘主义在“文化的文学”和“审美的文学”的“向内转”中走上前台,但真正具有本体论意义的神秘主义则出现在先锋文学中。这是先锋写作整体上疏离现实,和相对主义、怀疑论和虚无主义的认识论,以及叙事上的“语言自觉”造成的。但这种“语言游戏”性的神秘主义因与时代发展背道而驰,显出它柔弱无力的一面,难以成为有效成分纳入后来的文学再生产中,成为新一代作家的文学资源。
Based on the Chinese philosophical traditions and artistic spirit, this article explores the changes of mysticism as an epistemology and aesthetics in contemporary literature. The article holds that mysticism, as an irrational and non-realistic literary trend of literature, is not related to literary construction in the period of “Seventeen Years”, “Literature of the Country”, “Literature of the People” and “Literature of the People” The spirit of the times is counter-productive and has always been seen as a sort of alien squeeze and blow. After the 1980s, along with the rise of “root-seeking literature,” mysticism came to the fore in the “literary literature” of “culture” and the “inward turn” of “aesthetic literature”, but the real ontology Meaning mysticism appears in avant-garde literature. This is a result of avant-garde writing as a whole alienating reality, epistemologies of relativism, skepticism and nihilism, and narrative “language conscience.” However, this “language game” mysticism runs counter to the development of the times, showing its weakness and weakness, making it difficult to be an effective ingredient into later literary reproduction and become the literary resource of a new generation of writers.