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元代是中国文人画发展的转折时期,这一时期画坛代表人物赵孟頫提出的“书画同源”的理论,为文人的绘画创作开辟了新的天地。赵孟頫在中国美术史上,不仅是书画理论和书画创作方面的一代宗师,更以其家风延传三代,旁及亲朋,影响深远而成为艺林上的奇观。特别是其书风、画风为其子侄甥孙辈广为承袭,卓然而成一家族画风,从者尤众。以赵孟頫为代表的赵氏一
The Yuan Dynasty was a turning point in the development of Chinese literati painting. The theory of “homology of painting and calligraphy” put forward by Zhao Mengfu, a representative of the painting circles of this period, opened up a new world for the literati’s paintings. In the history of Chinese art, Zhao Meng-t’ao is not only a master of calligraphy and painting and a master of calligraphy and painting, but also a spectacle of Yi Lin with far-reaching impact on his three generations of family culture and his relatives and friends. In particular, his book style, style of painting is widely inherited from his nephews and grandchildren, Zoran became a family style, especially from the crowd. Zhao Meng Zhao as a representative of a