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事实和报道之间的关系一直很微妙。没有什么场景经过人眼之后能保持原貌,没有什么场景能被原原本本地诉诸笔端。但置身于这样的矛盾中的同时,很多记者还在同一些更卑劣的诱惑作斗争。他们真正想写进文章中的是非比寻常的“事实”.也就是某人大打电话提供的、让人惊诧得张口结舌的报道,只要他们能自圆其说,就可以得到通栏大字标题的位置。在这一点上.埃迪·克伦茨比大多数人体会更深,而且他从不抵制这种诱惑。作为《世界新闻周刊》的策划者和20年的主编,他的乐趣就是刊登他能发现的最荒诞怪异的故事。他称自己为马戏团老板,而不是编辑,以一系列无穷尽的怪诞稀奇的东西把读者吸引到他的“帐篷”中来。
The relationship between facts and stories has been subtle. No scene after the human eye can maintain its original appearance, there is no scene can be resorted to the original story. However, while living in such contradictions, many journalists are still fighting some of the more despicable temptations. What they really want to write in the article is the extraordinary “fact.” That is, somebody’s phone call provides surprising, flattering coverage, as long as they can be justified, you can get the place for the headline headline. At this point, Eddie Krenz would have felt deeper than most, and he never resisted this temptation. As the editor and editor of World Newsweek, his hobby is to publish the most absurd and weird story he can find. He calls himself a circus boss, not an editor, who draws the reader into his “tent” with a series of endless freaks.