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近两年来,冯玉萍在评剧《我那呼兰河》中塑造了一个鲜活的舞台艺术形象——王婆,引起了业内人士及广大观众的普遍关注。其实,任何一个演员只要在舞台上演出,就是要塑造舞台艺术形象。然而,如果我们静下心来想一想,近几十年来,在戏曲舞台上,新创剧目总有千台以上,塑造的人物也总有上千个以上。但是,在这上千台以上的剧目中,真正留在我们脑海里的鲜活的舞台艺术形象有多少?譬如,尚长荣的曹操(京剧《曹操与杨修》)、朱
In the past two years, Feng Yuping has created a vivid stage art image in the Pingju “My Hulan River” - Wang Po, arousing widespread concern in the industry and the general public. In fact, any actor who acts on the stage just wants to shape the stage art image. However, if we stop to think about it, in recent decades, there have always been more than a thousand newly created repertory operas and more than a thousand portraits. However, in these thousands of plays, what are the vivid stage art images that really remain in our minds? For example, Cao Chang (Cao Cao and Yang Xiu)