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目前,中国人物画存在两种教学模式:一种是重视写生、重视造型、重视写实、重视“引西润中”的“北派”教学模式,另一种是重视临摹、重视笔墨程式、重视写意、重视“借古开今”的“南派”教学模式。长期以来,两种教学模式客观上都有明显的优缺点,并对现当代的中国人物画艺术发展道路产生了巨大影响。笔者认为,在新的历史进程中,中国人物画的艺术生命在于创新,如果创新局限于小处,将没有太大出路,唯一出路在于坚持问题导向,推进教学改革,即根据历史唯物主义、辩证唯物主义的哲学观,在扬弃的基础上实现新的建构。
At present, there are two kinds of teaching models in Chinese figure painting: one is to pay attention to sketching, attention to modeling, emphasis on realistic writing, emphasis on “Northern School” teaching mode of “introducing Xirunzhongzhong” and the other is emphasis on copy and attention Pen and ink program, pay attention to freehand, pay attention to “borrow the ancient open today ” “Southern School ” teaching mode. For a long time, both teaching models objectively have obvious advantages and disadvantages, and have a tremendous impact on the development path of contemporary Chinese figure painting. The author believes that in the new historical process, the artistic life of Chinese figure painting lies in innovation. If the innovation is limited to small areas, there will not be much way out. The only way out lies in insisting on problem orientation and promoting teaching reform, that is, according to historical materialism, Materialist philosophical view, on the basis of sublation to achieve new construction.