论文部分内容阅读
本篇摘编呈现研讨会上六位艺术家的发言。翟俊杰追忆了先后三次拍摄长征题材电影(《金沙水拍》《长征》《我的长征》)的创作历程,并以历史的眼光分析了三部影片所取得的艺术成就;陈嘉陡论述了话剧《万水千山》的历史意义与艺术特点,并比较了1974年和2011年复排两个版本之间的区别;张千一详细阐释了其最新创作的交响套曲《长征》的内容结构和精神内涵;赵宁宇讲述了自己重新梳理推敲史料、完成《勇士》剧本的过程;陈坚陈述了参加全军美展的《直罗镇大捷》的创作历程;张良村把长征题材文艺作品的出版划分为四个阶段,并对每个阶段出现的具有经典意义的作品进行了评价。
This excerpt presents presentations by six artists at the symposium. Zhai Junjie recalls the creative process of filming the works of the Long March three times (“The Sands of Shanghai Sands”, “The Long March” and “My Long March”) and analyzed the artistic achievements made by the three films from a historical perspective. The historical and artistic features of the drama “thousands of rivers,” and compares the differences between the two versions in 1974 and 2011. Zhang Qianyi elaborates on the content structure and spiritual connotation of his newly created “Long March” ; Zhao Ningyu tells his own re-combing historical materials, the completion of the “Warriors” script process; Chen Jian stated participation in the military art exhibition “straight Luo town victory” creative process; Zhang Liangcun the Long March themes literary and artistic works of the publication is divided into four The stages, and the appearance of each stage of the classic significance of the work were evaluated.