论文部分内容阅读
李伯安54岁病逝。当我看到他生命最后阶段创作的水墨人物画时,真为他英年早逝而惋惜。他的路没有走完,但从其中比较成功的作品中,我们完全可以看出他的出色才情t和可能前景。本文只谈他从写实倾向转向表现倾向,以藏民彝民和北方农民为描绘对象的作品,这也是他留下的作品中最让人感动的部分。这种既有乡土性又有表现性的作品,我称之为“乡土表现主义绘画”。这并不是他个人的取向,“文革”后不少艺术家在寻求曾居主流地位的现实
Lee Bo-an died at the age of 54. When I saw the portrait of the ink painting created in the final stage of his life, I really regretted that he died young. He did not finish his journey, but from among the more successful works, we can clearly see his outstanding talent and potential prospects. This article only talks about his work which shifted his tendency from realism to expressionist, with objects of Tibetans, Yi people and farmers in the north as the most touching part of his work. This kind of both local and expressive works, I call it “local expressionist painting.” This is not his personal orientation. After the “Cultural Revolution,” many artists are seeking to find themselves in the mainstream