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电影《红高粱》的问世,成就了以张艺谋为代表的具有先锋意识的第五代导演,这一群体恰逢中国经济的转型时期,电影市场由计划经济走向市场经济,他们所拍摄的电影由先锋性向市场化转型,转型后的电影由于商业化过于浓厚以至掩盖了电影本身的艺术性。电影在转型时期遇到的种种不安和困惑,这种不安和困惑在向世界电影市场接轨时出现了巨大差异性。而张艺谋商业化倾向的电影让我们深思中国电影的出路何在。
The advent of the film “Red Sorghum” has resulted in the pioneering fifth-generation directors represented by Zhang Yimou, a group that coincided with the transitional period of China’s economy. The film market moved from a planned economy to a market economy. The film on which they were filming Avant-garde to market-oriented transformation of the film after the transition due to the commercialization is too thick to cover up the art of the film itself. The variety of anxieties and puzzles the film encountered in the transitional period led to a great deal of discrepancies in its connection to the world cinema market. And Zhang Yimou commercial tendency movie let us ponder over the whereabouts of Chinese movies.