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一大足石刻始凿于唐永徽元年(650年),兴盛于晚唐至南宋(9世纪末至13世纪中叶),余绪至明清。其兴盛期成为中国石窟艺术史上第三次造像高峰,继古印度的石窟艺术于3世纪传入中国,分别于5世纪和7世纪前后在中国北方及中原地区产生两次造像高峰之后,大足石刻开创了石窟艺术的新形式,把中国石窟艺术推向了又一个高峰。并从思想内涵、艺术形式和雕造技巧诸多方面,形
A large enough stone carving in the first year of Tang Yong Hui (650 years), flourished in the late Tang to the Southern Song Dynasty (late nineteenth Century to the mid-13th century), Yu Xu to the Ming and Qing Dynasties. Its prosperity became the third peak of statues in the history of Chinese grottoes. After the ancient Indian grottoes were introduced to China in the 3rd century and peaked at the two places in northern and central China in the 5th and 7th centuries respectively, Creating a new form of grotto art, the Chinese grotto art to another peak. And from the ideological content, art forms and carving skills in many aspects, shape