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在对中国文化核心精神的看法上 ,历来都有“天人合一”和“天人相分”之争。其实 ,“天人合一”和“天人相分”都是中国文化核心精神的一体两面 ,没有它们的矛盾互动 ,就不会有中国文化的进步和发展的今天。本文以为 ,“天人合一”与“天人相分”两种文化精神都较全面而典型地贯彻在《诗经》中了。作为前者的体现是全民性的本真日常自然 ,其中 ,浸润并沉淀着中国文化探索自然、认识自然的科学精神 ,而作为后者的体现则是平民的自然 ,以及由平民的自然所孕育生成的《诗经》的艺术表现方式——赋、比、兴 ,其中 ,浸润并沉淀着中国文化亲和自然、回归自然的伦理情怀和人文精神
In the view of the core of Chinese culture, there has always been a dispute between “harmony between man and nature” and “between heaven and man”. In fact, “harmony between man and nature” and “the distinction between heaven and man” are both the two sides of the core spirit of Chinese culture. Without the contradictory interaction between them, there will be no such thing as the progress and development of Chinese culture today. This paper argues that the two cultural spirits of “harmony between man and nature” and “nature and human being share one another” are more comprehensively and typically implemented in The Book of Songs. The embodiment of the former is the natural everyday nature of the whole people, in which infiltration and precipitation of the scientific spirit of Chinese culture in exploring nature and understanding of nature are the natural features of the civilian population as well as those born by the nature of civilians The artistic expression of “Book of Songs” - Fu, Bi, Hing, which infiltrates and precipitates the ethical feelings and humanistic spirit of Chinese culture pro-nature and return to nature