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前不久,中国美术馆举办了“从马列维奇到康定斯基——欧洲构成主义”的展览,这是欧洲现代主义原作再次漂洋来中国展出。可惜观众反应冷淡,更没有在美术界产生什么涟漪。如果上世纪80年代国门初开时,国人看到这些原作,肯定和今天艺术界的反应不同。今天,不论中国什么类型的油画展,占百分之八九十比例的作品仍以具象写实为主体,纯粹抽象、表现、极简、象征、抽象表现、具象表现、超现实主义等类型的作品绝对只占少数,甚至于暂付阙如。这种情形曾多次被评论界提出,也引起画坛关注,然而在创作实践中却未见起色。有人说,中国
Not long ago, the National Art Museum of China held an exhibition titled “From Malikiich to Kandinsky - European Constructivism”, which shows that European modernism once again drifted into China. Unfortunately, the audience reacted indifferently, without any ripples in the art world. If the people started to see the original works in the 1980s when they first opened their doors, they certainly reacted differently to the art world today. Today, regardless of the type of oil painting exhibition in China, 80% or 90% of the works still rely mainly on realistic portrayals, and purely abstract, expressive, minimalist, symbolic, abstract, figurative, surrealistic and other works Definitely only a minority, or even temporary absence. This situation has repeatedly been put forward by the critics, but also aroused the attention of the painting circles. However, it has not seen any improvement in the practice of writing. Some people say that China