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曹雪芹的贾宝玉形象与陀思妥耶夫斯基的阿廖沙形象在思想的层次以及人文精神的深度上是不同的。贾宝玉追求的是个体生命的自由,并且是带有道家自然性的人的自由生命,而阿廖沙追求的是人类存在的终极价值及灵魂的安顿。文学家往往替代职业的哲学家而以更“专业”的姿态追问我们的灵魂从何方而来?我们的灵魂向何方去?这是文学的荣耀。而中国文学的整体提升,正需要追求这种荣耀,更多关注灵魂安顿、信仰追求的问题。
The image of Jia Bao-yu by Cao Xue-qin is different from the image of Alyosha by Dostoevsky at the level of thought and the depth of humanism. Jia Baoyu pursued the freedom of individual life and the free life of Taoist nature, while Alisa pursued the ultimate value of human existence and the settlement of the soul. Literature writers often replace the professional philosophers and more “professional ” attitude to ask where our soul come from? Where is our soul go? This is the glory of literature. The overall improvement of Chinese literature is demanding the pursuit of such glory, paying more attention to the problem of settling down souls and pursuing faith.