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在当代印坛,石开与王镛并峙称雄,引动潮流,开一时风气。由此,石开也成为新时期印坛炙手可热的人物。石开的篆刻拓化清末民初吴昌硕、齐白石、来楚生写意篆刻一脉,印从书出,在写意篆刻的延展中体现出当代性的审美诉求。当代篆刻的主体审美特征便是写意,这使当代篆刻在很大程度上突破了明清流派印的桎梏,而表现出自由审美的高度个性化。因而,相较于当代书法而言,当代篆刻在反叛
In the contemporary Indian Forum, the stone open and the king 镛 and hold the stand, promote the trend, open a moment of ethos. As a result, stone open has also become India’s hottest new chapter of the figure. Stone carved seal broaden the late Qing and early Republic of China Wuchang Shuo, Qi Baishi, to Chusheng a seal of the seal of intention, seal from the book, in the freehand carving of the extension reflects the contemporary aesthetic appeal. The aesthetic character of the contemporary carving is the freehand brushwork, which makes the contemporary carving to a large extent broke through the shackles of the Ming and Qing dynasties, and shows the highly individuality of free aesthetic. Thus, compared with contemporary calligraphy, contemporary carving is rebellious