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我国著名艺术家、戏剧教育家,原中央戏剧学院院长、中央实验话剧院院长欧阳予倩先生,自30年代末至40年代中期,以笔作刀枪,以舞台作战场,战斗在抗日文化名城——桂林,他改革桂剧,创办戏剧学校,培养新一代艺人,推动话剧的开展,以宣传、鼓舞人民,团结起来一致抗战,争取民主,反对国民党政府消极抗战政策和腐败统治。他创作、整理、编导了包括《梁红玉》、《桃花扇》、《木兰从军》等十多个桂剧剧目,使桂剧赋予崭新的面目和时代的内容,为桂林抗战文化城的形成与发展,为抗战
Ouyang Yuqian, the dean of the Central Academy of Drama and the famous Chinese artist, drama educator, dean of the Central Academy of Drama, from the late 1930s to the mid-1940s, used his pen to shoot a knife and use the stage as a battleground to fight in the anti-Japanese cultural city - Guilin. He reformed Gui Opera, founded a drama school, fostered a new generation of artists, and promoted drama to promote and inspire people. They unite to fight the war of resistance and fight for democracy. They opposed the negative anti-Japanese policy and the corrupt rule of the Kuomintang government. He wrote, edited and directed more than a dozen Gui opera repertories including “Liang Hongyu”, “Peach Blossom Fan” and “Mulan Army”, giving Gui Opera a brand new appearance and content of the times, thus forming and developing Guilin’s Anti-Japanese War City , For the war