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在汉魏六朝文人弃妇诗中,多有长叹垂涕、怨而不怒的弃妇形象,与《诗经》、汉乐府中的活泼多元的弃妇形象迥然不同。个中缘由,除了很多论者已指出的政教理想、诗学传统以外,汉魏六朝盛行的模拟风气致使文本“典律化”也是重要原因之一。
In the Han and Wei Dynasties and the Six Dynasties, there are many abandoned women who have long sighs, resentment and no anger. They are quite different from the lively and diverse abandoned women in The Book of Songs and the Han Yue Fu. One reason is that in addition to the political and ideological ideal and poetic tradition that many commentators have pointed out, the analogy prevailing in the Han dynasty and the Six Dynasties led to the text “Canonization ” as one of the important reasons.