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19世纪的历险小说家哈格德在《她》与《艾莎归来》中塑造了一个母权空间。他在这里颠覆了男权中心,由此嘲笑了西方中心论和理性主义,而这三点几乎构成了当时西方主流文化的一切。这最主要是受到当时神秘主义思潮兴盛的巨大影响,这也是该系列小说被当时读者广泛接受的重要原因。由此我们能够更清醒地认识到文化生产的杂糅性:从宏观意义上说,哈格德小说中母权空间的出现本身就是西方文化杂糅的一种体现;从微观意义上说,这个空间本身的文化也是杂糅的,哈格德对空间象征物艾莎的矛盾描绘就是例证。
Haggard, a 19th-century adventure novelist, created a space for maternity in her and The Return of Aisha. Here he subverts the patriarchal center, thus laughed at Western centralism and rationalism, and these three almost constituted the mainstream Western culture. This is mainly due to the great influence of mysticism at that time, which is also an important reason why the series of novels were widely accepted by current readers. Therefore, we can more clearly understand the heterogeneity of cultural production: in the macroscopic sense, the appearance of the mother-power space in Haggard’s novel itself is a manifestation of the mixture of Western cultures; in the micro sense, the space itself Is also a mixture of cultures. Haggard’s illustration of the contradiction between Aisha, the spatial symbol, is an example.