论文部分内容阅读
在我所有评论过的艺术家中,李嘉儒是最最年轻的一位。而让我不惜语法臃赘也要用上“最最”来修饰的原因,是李嘉儒实在“年青”得令人咤舌——重点不是他“85后”的年岁,而是他的作品散发与传递出来的“年轻”信息,激发了我强烈的共鸣感。关于美的风尚一个年代有一个年代的潮流,一个时代有一个时代的风尚,其本质是所处时代的人们的集体精神诉求,所以人们会自然地对其所处时代直接能接触到的艺术潮流与风尚,自觉性地欣赏、喜爱,甚至是追捧、膜拜。这样看来“引领或代表所处时代的艺术潮流与风尚”就成了广大当代艺术家无论于艺术还是市场领域都能得以安身立命的根本,但遗憾的是,这个“根本”被很多艺术家与艺术市场参与者根本地忽略了,这也就能解释为什么不少当代艺术家的作品.或在艺术圈
Among all the artists I have reviewed, Li Jiaru is the youngest one. And let me spare no attention to grammatical complexity, but also to spend on “the most ” to decorate the reason is that Li Jiaru really “young ” was staggering - the focus is not his “85 after ” age, But the “young” information that his work disseminates and transmits, inspiring me a strong sense of resonance. With regard to the fashion of the United States, there is a trend of the times in a generation. There is an era in an era where the essence is the collective spiritual aspirations of the people in the time. People naturally relate directly to artistic trends and Fashion, consciously enjoy, love, or even sought after, worship. So it seems “to lead or represent the art trends and fashion of the times” has become the basis for the broad contemporary artists’ ability to settle down in the arts and in the marketplace. Unfortunately, this Artists and art market participants simply ignored, which can explain why many contemporary artists works. Or in the art circle