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音乐内的社会关系研究属于音乐社会学的研究领域。本文利用第一手英文资料探讨了舒茨的音乐社会学思想。在舒茨看来,音乐内的社会关系主要有三种,而每一种社会关系都具有“相互取向”的性质。在“共同创造音乐”的过程中,演奏者充当了作曲家和听众之间的中介。在音乐持续的流淌中,参与者得以在内在时间中共享“一段生动的现在”。舒茨对于音乐内社会关系的深刻分析不仅成为音乐社会学思想的重要组成部分,同时也是他的现象学方法在具体领域中的应用。
The study of social relations in music belongs to the research field of music sociology. This article uses the first-hand English information to discuss Schutz’s music sociology. In Schutz’s view, there are mainly three kinds of social relations in music, each of which has the nature of “mutual orientation.” In “Creating Music Together,” performer acts as an intermediary between composer and listener. In the continuous flow of music, participants are able to share “a vivid present ” within their own time. Schutz’s profound analysis of social relations in music not only has become an important part of the sociology of music theory, but also applied in his field of phenomenology in specific fields.