论文部分内容阅读
本文从“精列”释义入手,推翻前人旧说,认为“精列”是指蟋蟀,是应气之征,属于物候、节令话语系统。在此基础上,本文探讨汉魏相和歌中《精列》与《气出唱》两曲关系,认为它们与物候、节令话语系统中的“精列”、“气出”表达顺序完全一致,故而与《江南》构成组曲特征。本文进而推测,汉魏相和歌十七曲是由一系列组曲松散组合而成,带有组曲性质。曹操所作相和歌七曲,在魏明帝时期当是一套主题相对集中、完整的组曲,是对帝王既做人间圣主又成不死神仙这一浪漫理想的表达。这一主题明显超越了各首曲辞本身的内涵,显示出了音乐形态对曲辞内容的附加,是乐府诗研究中值得格外注意的问题。
This article begins with the definition of “essence column” and overthrows the old saying that “essence column” refers to cricket, which is a symptom of qi and belongs to the phenomenal and seasonal speech system. On this basis, this paper explores the relationship between the “precise list” and the “sing out of gas” in the Xiang-Wei song of Han and Wei Dynasties, and concludes that they are closely related to the expression of “essence” and “breathiness” The order is exactly the same, so with the “Jiangnan” constitute the characteristics of the composition. This article further speculates that the Han and Wei Xianghe song seventeen song is composed of a series of loosely combined, with the composition of nature. Cao Qiao made seven songs and song, in the Wei Ming Emperor period is a set of relatively concentrated theme, is a complete ideal for the emperors king of heaven and earth into an immortal immortal ideal of romantic expression. This theme clearly surpassed the connotation of the first song itself, showing the addition of musical form to the contents of the song, which deserved extra attention in the study of Yuefu poetry.