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京剧艺术家李万春先生在六十多年的艺术生活里,不断对京剧表演艺术进行探索和革新,塑造了许多生动的、不同类型的艺术形象,形成了自己独有的艺术风格。今以《狮子楼》为例,谈一点印象和观感。武植被恶霸西门庆害死后,武松公干归来,并不知道家里发生的一切。这时李万春的出场,态度是从容的。武松叫开家门,意外地发现潘金莲身穿重孝而又抹粉插花,李万春的表演是猛抓水袖,双手倒背,二目圆睁,打量潘金莲的装束,有一股逼人之势:“兄长得何病而亡?”“嫂嫂为何头戴鲜花?面搽脂粉?”念白用了严厉质问的语气。潘金莲掩面下场后,武松跪在灵前发誓:“看此情形,内中定有缘故,兄长若有冤枉,小弟定要与你冤冤相报!”语气坚定略带哀怨,从鲜明的节奏中,展示了武松的骨肉情感。
Beijing Opera artist Li Wanchun has continuously explored and innovated the performing arts of Peking opera in more than sixty years of artistic life, created many vivid and different types of artistic images, and formed his own unique artistic style. Take the “Lion House” as an example today to talk about the impression and perception. After the vegetation was destroyed by the bully Ximen, Wu made his return and did not know everything that happened at home. Li Wanchun appearance at this time, the attitude is calm. Wusong called the door and unexpectedly discovered that Pan Jinlian was wearing a filial piety and wiping pink flower arrangements. Li Wanchun’s performance was fiercely scratching his sleeves and his hands were backwards. He looked wide and looked at Pan Jinlian’s clothing. There was a pressing tendency: Why did the elder brother die? “” Why do my sister-in-law wear flowers? Pan Jinlian hiding face, Wu Song kneel down before the Spirit swears: “Look at this situation, there are reasons for the set, if the brother of an innocent brother, brother set to retribution with you!” Strong tone slightly sad, from the clear rhythm, Wu Song showed the flesh and blood emotions.