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本文首先界定了以“南美电影”作为讨论单元的合理性,并指出2013年的南美电影在数量提升的同时,依然保有美学质量与思想力度,展映方式也更为多元化。巴西、阿根廷等国本土电影的多项纪录均被刷新,而多部智利电影在海外重要电影节上摘取奖项。在国家政策扶持下,南美国家之间电影文化的传播、沟通的渠道增多。面对数码转型和电影功能角色的转变,多位南美电影人做出了独特的回应。
This paper first defines the rationality of using “South American cinema” as a unit of discussion and points out that while the number of South American cinema in 2013 is still increasing, the number of South American cinema still maintains the quality of aesthetics and ideology, and the variety of exhibition modes is also more diversified. A number of local films in Brazil, Argentina and other countries have been refreshed while many Chilean films have won prizes at major overseas film festivals. With the support of the national policy, the channels for the spread and communication of film culture between South American countries have increased. Faced with the digital transformation and the changing role of the film, many South American filmmakers have made unique responses.