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近年来,随着各大美术院校的不断扩大招生,美术类考生不断激增,庞大的生源基数为各大艺术院校注入新鲜血液的同时,也带来了一系列的问题。由于考生数量庞大,给各大艺术院校带来了巨大收益的同时,也为院校招生部门带来了巨大的招生工作压力。为减免工作压力,各大艺术院校纷纷进行招生改革,考题由过去传统的写生方式转为对图像、照片的临摹,从表面上看,这一举措似乎有效的降低了人工成本,减免了招生工作压力,但在巨大的经济利益的驱动下,各大考前培训班纷纷加入并成为帮凶,在考前培训过程中,极力的钻各大艺术院校招生体制的漏洞,以模式化的强制背诵替代了培养学生主动观察及主动思考的能力,对绘画造型类学生来讲,却造成成了对于传统具像写实绘画理解上的扭曲;使得学生对于艺术的认知以及真正的表达驾驭能力极度缺失,这一影响往往在数年后才得以显现,数症并发。
In recent years, with the continuous expansion of enrollment of major art colleges and universities, there has been a steady increase in the number of fine art students. As a result, a huge base of students has brought fresh blood to art schools and brought about a series of problems. Due to the large number of candidates, major art colleges have brought tremendous benefits, but also for the college enrollment department has brought tremendous pressure on enrollment. In order to reduce the pressure of work, the major art colleges and universities have carried out enrollment reform, the test questions from the traditional way of sketching to the copying of images, photos, on the surface, this move seems to effectively reduce labor costs, reduced enrollment Work pressure, but driven by huge economic interests, the major examinations have joined the training courses and become accomplices in the exam training process, trying hard to drill the major institutions of art enrollment system loopholes in the form of mandatory Memorization replaces the ability of students to take the initiative to observe and take the initiative to think, in terms of drawing students, but it has become a distorted understanding of the traditional realistic painting; make students the art of cognition and the real expression of ability to control extremely Lack of this influence often appear in a few years later, the number of concurrent disease.