论文部分内容阅读
本文通过研究剧场的图像符号、指索符号和象征符号之表现和“再现、表现、转喻、隐喻、象征、指涉、隐射、互文”等修辞手段的结合,以及不同符号在不同的表演语境中穿行和自由滑动的状态,说明在表演中剧场符号转换的复杂性。通过最新作品中颠覆传统的剧场符号转换模式,朝向即兴、生成、偶发的表演之现实,说明当代实验剧场表演作品中对于取消表演符号以及符号转换的一种新颖尝试。
Through the combination of rhetorical devices such as image symbol, index finger symbol and symbolic symbol in theater and rhetorical devices such as “representation, metonymy, metaphor, symbol, reference, concealment and intertextuality” The state of walk and slide freely across different performance contexts illustrates the complexities of theater symbolic transitions in performance. Through the subversion of the traditional theater symbolic transformation mode in the latest works and toward the reality of improvisation, formation and accidental performance, this paper illustrates a novel attempt to cancel the performance symbols and symbolic transformations in contemporary experimental theater performances.