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蔡襄(1012-1067年),字君谟。居仙游(今属福建省),迁莆田。官至端明殿学士,知杭州,谥忠惠。工正、行、草、隶书,又能飞白书,尝以散笔作草书,称为“散草”或“飞草”。世人评蔡襄行书第一,小楷第二,草书第三。与苏轼、黄庭坚、米芾并称为“宋四家”。此作书于1051年,通篇文字清丽蕴藉,行笔干净利落,笔意精到淡雅,结体端庄俊俏,行气连贯,显得自然飘逸、风姿翩翩。用笔内擫外拓兼而有之。笔法重按轻提,应用自如,于转折处更见其妙。初写时行中带楷,笔尚收敛;之后越写越放,渐变为行草;最后任意挥洒,衍化成小草。特别是最后几首诗,乍看笔画纤细,然其笔力并不亚于粗笔。他学《兰亭》《洛神赋十三行》,汲取王氏父子潇洒豪迈的神韵;学欧阳询,追寻劲健之笔;学颜真卿、李邕,专意凝重端庄。可谓,聚
Cai Xiang (1012-1067), the word Jun-mo. Habitat Xian swim (now Fujian Province), moved to Putian. Official to the end Ming Temple Bachelor, Hangzhou, 谥 Zhong Hui. Worker is, line, grass, official script, but also flying white book, try to scattered pen cursive, known as “scattered grass ” or “flying grass ”. The world comment Cai Xian line first, second small, cursive third. With Su Shi, Huang Tingjian, rice cake and called “Song four”. This book was written in 1051, throughout the Qingyun Yun text, clean and neat pen, refined and elegant pen, the junction of dignified and graceful, graceful continuity, it seems natural and graceful, graceful. With the pen inside and outside the extension of both. Lightweight rewrite stroke, ease of use, more turning point in the wonderful. The beginning of the written line with Kai, pen is still convergent; after writing more and more, gradually changed to grass; finally sway, evolved into a grass. Especially the last few poems, at first glance stroke slender, but its strokes are as good as crude pen. He learned “Lanting” “Goddess Fu 13”, to learn Wang’s father and son bold and heroic charm; learn Ouyang inquiry, striving for robust pen; learn Yan Zhenqing, Li Kui, deliberate dignified dignified. Can be described as poly