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二十年前,当我初次请教刘自椟老师时,他曾感叹地说:‘清末民初,陕西的书法艺术是由南向北排列的。陕南以汉中为中心,出现了王世镗、文成郁和陈晓耘三位名家;又有以《石门颂》、《石门铭》为代表的汉魏摩崖群,优势在你们汉中。’刘老所说的三位名家,王世镗以章草著称,陈晓耘以行书见长,文成郁则大力提倡汉魏风骨;他们终生致力于书法艺术,修养高、造诣深,声望很大。文先生在汉十三年,主要以传播书艺为业。他设馆课徒,身体力行,前后有生徒数百人,并造就了许多很有影响的书法家,成为民国时期陕南书风的主流。直至今日,汉南人士多
Twenty years ago, when I first consulted with Professor Liu Zizhi, he said with exclamation: ’In the late Qing Dynasty and the early Republican China, the calligraphic art in Shaanxi was arranged from south to north. With the center of Hanzhong in southern Shaanxi, three famous masters Wang Shui boring, Wen Chengyu and Chen Xiaoyun appeared; another is the Han Cliff Group represented by “Shihmen Ode” and “Shimen Ming”. Liu Lao said the three famous, Wang Shui boring Zhang Zhang grass known, Chen Xiaoyun to Xingshu known, Wen Chengyu vigorously promote the Han style; their lifelong commitment to calligraphy art, high attainments, deep attainments, great reputation. Mr. Wen in the thirteen years of the Han Dynasty, mainly to spread book art as industry. He set up a class of apprentices, practicing, before and after there are hundreds of students, and created many influential calligrapher, became the mainstream of the Southern Shaanxi calligraphy style during the Republic of China. Until today, many Han people