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世间事并非付出便有收获,这个道理要中年到来很久才明白,其中就包括画画这一桩。关于画事成败与收获的定义这里我们暂且不去探讨,单只说以自心去衡量。比如,虽然有诸如画鸡蛋的达·芬奇、描柜边花的齐白石这般大家在前,但最终还是济济无名者众。每一个画画的人终极目标是什么?或见人见智或不可说。拿画做途径去达成私欲者虽则短浅,但名利其实是小贪,想在画中得自我惬意、得从心所欲才是真正的贪心吧。我的自我意识萌生于离开学校的一刻。当社会横在面前,画画成为自然而然的表达和抒发方式。也许是性别或性格使然,我很少关注外在世界。所以历史、社会、伦理、人性,这些东西我想想都沉重,交给男人们去担负和剖析好了。而自己只负责在日渐完善的认知和表达系统里安坐、手挥、目送、
It is a long time since middle-aged came to realize that things in the world are not paid, including the painting of this one. The definition of the success or failure of painting here we for the time being do not discuss, just say to measure. For example, although there are paintings such as Leonardo da Vinci, chest of drawers Qi Qi so everyone in the front, but eventually the unfriendly crowd. What is the ultimate goal of every artist? Although it is short and shallow to get people to do their own thing by painting, fame and fortune is actually a little greedy. If you want to be self-satisfied in your painting, you just want to be genuinely greedy. My self-awareness spawned at the moment of leaving school. When society is in front of us, drawing becomes a natural way of expression and expression. Maybe because of gender or personality, I rarely pay attention to the outside world. Therefore, history, society, ethics, human nature, I think these things are heavy, to men to shoulder and analysis of good. And he is only responsible for getting better at the increasingly well-established cognitive and expression system,