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在中国专制社会时期,雅玩鉴赏收藏之事不止须具有经济实力,权力也是重要的因素,故权贵士大夫府邸为古董艺术品收藏之主要处所,尤以宫廷内府为甚。又金石等多为秦汉以前之所出并传世,除了仍陆续出土于遗址与幕冢外,大致为不可再生之物,故其他藏品以书画为其大宗。北宋年间,社会步入相对稳定时期,被著名中国科技史家、英国的李约瑟博士称之为中国的文艺复兴时期。宋代一些帝王热衷于收藏及鉴赏,并以此锤炼出自身的艺术气质与修为。宋徽宗赵佶便是如此。
In China’s authoritarian society, Ya appreciated the collection of things not only have economic strength, power is also an important factor, so the right to your doctor’s mansion is the main collection of antique works of art premises, especially within the court house. And stone and many more for the Qin and Han dynasties before and handed down, in addition to still unearthed in the ruins and the mound, roughly non-renewable things, so other collections to calligraphy and painting as its bulk. During the Northern Song Dynasty, the society entered a period of relative stability. It was referred to by China’s Renaissance by the famous Chinese science and technology historian and British Dr. Joseph Needham. Some emperors in the Song Dynasty were keen on collecting and appreciating, and thus tempered their artistic qualities and cultivation. Zhao Huo Song Huizong is the case.