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传统时期,女性大门不出、二门不迈,一生困守闺阁,社火是其为数不多的能够合理合“法”走出家门的机会之一。随着时代的发展,女性获得了解放,她们从只能作为社火表演的观众,到近代以来成为参与者,进而成为表演的主体,这其中究竟经过了怎样的变化?本文将以有“社火之乡”美誉的晋南为例,结合田野调查资料对女性与社火的关系进行个案分析,探索女性参与社火的过程。
In the traditional period, women could not get out of the door, they did not go out and their life was trapped in the boudoir. It was one of the few chances that they could get out of their house rationally. With the development of the times, women have been liberated. From the spectators who can only perform as a fire activist, they have become participants in the modern times and have become the main body of the performances. What kind of changes have been made in this passage? The fire town "in southern Shanxi as an example, with field investigation data on the relationship between women and social fire case analysis to explore the process of female participation in community fire.