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“这戏的主要冲突是什么?”“这戏没有中心事件!”这是看完北京人艺演出的《小巷深深》之后,听到有人发出的议论。是的,按照常见到的戏剧来要求,《小巷深深》没有主要的戏剧冲突和中心事件。作者王树元只写了几对青年,几对青年之间几乎不发生纠葛,情节各自平行发展。其中一对青年,女的在家待业,叫谢蕙云,为报考研究生专心致志地复习功课;叫江帆的小伙子有志于绘画,因眼睛色弱,一度陷于绝望,在老画家的帮助下,改习雕塑,重新燃起了希望的火花。另一
“What is the main conflict in this movie?” “There is no central event in this movie!” This is an after-talk that has been heard after watching the “alleyway” of the Beijing Rendezvous. Yes, according to what is commonly known as play, “Alleyway Deep” has no major drama clashes and center events. Wang Shuyuan wrote only a few pairs of young people, almost no disputes between a few pairs of young people, and plot their parallel development. One of the young, women’s unemployed at home, called Xie Hui-yun, to apply for post-graduate review of homework; call Jiang Fan young man interested in painting, because of weak eyes, once in a state of despair, with the help of the old painter, to learn sculpture, re-burn Spark of hope another