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戏曲电视剧作为我国电视节目中的一种独特形态,经历了20世纪80年代的振兴和90年代的辉煌,如今却逐步走向了衰落。在从戏曲语言向电视剧语言转化的过程中,它遭遇了技术上的瓶颈和美学倾向上的困惑。若要赋予戏曲电视剧新的活力,可以从四个层面做出改良:在创作观上回归文学性与叙事性;在创作手法上打破戏曲程式化的限制;在表演理念上突破舞台戏曲“间离”式的观演方式;在生产模式上追求专门化、行当化与类型
As a unique form of television program in our country, opera TV drama experienced the rejuvenation of the 1980s and the glory of the 90s. Nowadays, the opera drama has gradually gone down. In the process of transforming from drama language to teleplay language, it encountered technical bottlenecks and confusion in aesthetics. In order to give the dramas a new vitality, we can make improvements from four aspects: to return to literary and narrative in the view of creation, to break down the stylized limitations of drama in the creative ways, to break through the stage drama in the concept of performance From the "type of performance style; in the pursuit of specialization in the mode of production, line and type