关于王安忆《长恨歌》的思考

• 作 者: 朱秀英
• 机 构: 西昌学院,
• 出 处: 青年文学家
• 发表日期: 2014年27期
• 关键词: 《长恨歌》 王琦瑶 女性主体地位

《长恨歌》所塑造的主人公王琦瑶的强势与弱势形象集中体现于她与众女伴及男伴的关系之上,而这种形象的背后却同时指向于一个方面:即女性主体地位的缺失。由于主体地位的缺乏而导致作品对女性价值注定的误差。这样作为以塑造女性形象为核心的《长恨歌》缺失了最为重要的女性生命的尊严与独立。从而导致了《长恨歌》中“长恨”的消减。

Wang Qi-Yao, the protagonist of “Everlasting Sorrow”, embodies its strong and weak images mainly on the relationship between her and his daughters and male partners, but behind this image, she also points to one aspect: the lack of status of the female subject. Due to the lack of the status of the main body caused by the works of the error of the value of women. Thus, as the “Everlasting Sorrow” with the female image as the core, the most important female life’s dignity and independence are missing. Which led to the “Everlasting Regret” in the “long hate” reduction.