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神话原型批评传入中国学术界是20世纪六十年代初发生的,但是它能在短时间内被中国学者所认同和接受,是和20世纪初期西方神话学,民俗学和人类学知识在中国广泛传播的现实条件分不开的。六十年代初原型理论被引进中国,由于当时时代的局限,只是把原型理论当作资产阶级文化思想,作为反面教材被引进的。70年代末,文艺界开始出现百家争鸣的局面,80年代前期和中期,随着社会文化语境的变化,思想解放运动的蔚然成风及西方文化思潮的大量涌入,促进了中国文论主体精神的全面高涨。本文追溯了该理论在传入中国之前及之后近一个世纪的相关研究,读者可以对此理论在国内的传播与研究有一“鸟瞰”式的了解。
The introduction of mythological prototype criticism into Chinese academia occurred in the early 1960s, but it can be recognized and accepted by Chinese scholars in a short period of time. It is consistent with the early 20th century Western mythology, folklore and anthropological knowledge in China The conditions of widespread communication can not be separated. Prototype theory was introduced into China in the early 1960s. Due to the limitations of the time, the prototype theory was only introduced as a bourgeois cultural thought as a negative teaching material. In the late 1970s, the literary and art circles began to witness the emergence of a hundred schools of thought. In the early and mid-1980s, with the change of social and cultural contexts, the popularity of the ideological liberation movement and the influx of Western cultural trends have promoted the comprehensiveness of the main body of Chinese literary theory Soaring. This essay traces back the related research of this theory before and after it was introduced to China for nearly a century. The reader can have a “bird’s eye view” understanding of this theory in China.