艺术的运动和运动的艺术——论武术套路演练中的动静节奏

• 作 者: 周惠新 李湘远
• 机 构: 上海体育学院研究生部,广州大学体育学院 上海200438rrrrrrrrn,广东广州510400
• 出 处: 武术科学(搏击·学术版)
• 发表日期: 2004年03期
• 关键词: 武术套路 武术理论 理论参考 竞技武术 审美特征 盘肘 拳谚 中国武术 劲力 旋风脚

文章以艺术学(音乐、戏剧、雕塑、绘画等)、哲学、美学等为理论参考,对中国武术套路演练中的动静节奏进行深入研究,认为在武术套路演练中动要突现神韵,静要蕴含意境。同时,依据武术套路演练中动静节奏的上述审美特征,指出了动静节奏的艺蕴内涵应凸现出动迅静定、动韵静势、顿合规律等具体要求,进而推断出要从动态性、延续性、整体性、综合性的角度去把握武术套路演练中节奏的变化,为广大教练员和运动员提高武术套路演练的技巧以及其他从事武术科研的学者提供理论参考。

Taking the art studies (music, drama, sculpture, painting, etc.), Philosophy and aesthetics as the theoretical references, this article makes an in-depth study of the movement and rhythm of the Chinese Wushu routines. It believes that in the Wushu routine exercises, artistic conception. At the same time, according to the above aesthetic characteristics of the dynamic and static rhythms during the exercise of Wushu routine, it is pointed out that the connotation of the dynamic and static rhythms should highlight the concrete requirements of quick and steady motion, dynamic momentum and law of consolidation, and then infer that from the dynamic and continuation It can provide theoretical reference for the general coaches and athletes to improve the skills of the Wushu routine drills and other scholars engaged in the research of Wushu.